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Black and Blur (consent not to be a single being), by Fred Moten
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Review
"Simply put, Moten is offering up some of the most affecting, most useful, theoretical thinking that exists on the planet today.... Moten’s work makes the activities of reading and thinking feel palpably fresh, weird, and vital." (Maggie Nelson 4Columns 2017-12-01)"Some readers will come here because of The Feel Trio, because of The Undercommons. Some because Moten is the activists’ theorist, the contemporary art institution’s darling, because of performance studies, jazz studies, literature. Some readers will come here to encounter a brain that is at once more erudite, generous, capacious, fierce, jokey and infuriating than most others on the planet right now. Everybody ought to arrive here to be schooled and troubled, elated and confused, invited and indicted by a sparklingly original vision for black study." (Nabil Kashyap Full Stop 2018-02-27)"Through his writing and the ways he discusses it in warm, beckoning language that complements his conceptually intensive texts, Moten has become a siren of sorts for artists and curators who find in his words ideas to put into their own practice." (Andy Battaglia ARTNews 2018-03-27)"It's this spirit of the collective effort of study and exchange and resonance, the effort to keep the channels open and keep listening, that has made Moten (or, maybe, 'Moten/s') such a celebrated thinker. At the end of sentences like these, you want to say something like Amen." (Jess Row Bookforum 2018-04-01)"Be ready to be wowed; be ready to be challenged; most of all, be ready for the long haul. It is, apparently, the first in a planned trilogy. Moten is tracking his own course, and it’s fast-moving and spectacular." (Patrick James Dunagan Rain Taxi 2018-05-17)"At a time when both theory and criticism are frequently and convincingly attacked as exhausted forms, Moten’s trilogy has reinvented both. . . . In its mixture of theoretical complexity and disarming directness, Moten’s beautifully written trilogy offers the sheer pleasure of art." (Lidija Haas Vulture 2018-09-17)"2018 must go down for me as the year of Fred Moten’s trilogy: Black and Blur, Stolen Life, and The Universal Machine. You could say they’re essays about art, philosophy, blackness, and the refusal of social death, but I think of them more as a fractal universe forever inviting immersion and exploration, a living force now inhabiting my bookshelf." (Maggie Nelson Bookforum 2018-11-01)"My favorite book(s) of 2018 are the three volumes of Fred Moten’s consent not to be a single being, individually titled Black and Blur, Stolen Life, and The Universal Machine. In this collection of essays stretching back fifteen years, Moten challenges the reader to imagine a radically interconnected aesthetic and political sphere that stretches from Glenn Gould to Fanon to Kant to Theaster Gates, sometimes in the space of a single sentence. This trilogy is one of the great intellectual adventures of our era." (Jess Row Bookforum 2018-11-01)
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Review
"In this profound work, Fred Moten makes a sustained and thrilling attempt to think philosophy and music together, which is also to think philosophy as music, which is also necessarily to think music as philosophy. In its capaciousness and in its persistent, challenging, dazzling intelligence, Black and Blur is a book that is worthy of the reputation and influence of its author. Its publication is a major event." (Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination)"Poetry and philosophy can't convincingly be condensed or speeded up. To feel each fully they must be read and sounded in time. Such is the case with Fred Moten's words. Black and Blur allows and opens this feeling-mind-sense-body splitting possibility, in its stunning and generative appositionality of aesthetics and life. An intertwined, journeying flight, examining and composing variegations distinctly, yet together placed to read and imbibe. Beautiful, sobering, intricately pleasurable, delicious, and necessary as a way to now begin again delving into the specific immense variegated borderless blur of black that is profound, wide, and bittersweet." (Renée Green, artist, filmmaker, and author of Other Planes of There)
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Product details
Series: consent not to be a single being
Paperback: 360 pages
Publisher: Duke University Press Books (December 8, 2017)
Language: English
ISBN-10: 0822370166
ISBN-13: 978-0822370161
Product Dimensions:
6 x 1 x 9.2 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#190,100 in Books (See Top 100 in Books)
Have only read parts of this book. Its one you have to slow down to read, by design. It rewards that attention. The parts of Marx, James and Adorno really spoke to me.
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