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Ebook Download A Journey to Softness: In Search of Feel and Connection with the Horse

Juli 01, 2016 Ebooks No comments

Ebook Download A Journey to Softness: In Search of Feel and Connection with the Horse

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A Journey to Softness: In Search of Feel and Connection with the Horse

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Review

“In these forthright stories, you’ll get a glimpse of a life that has produced a man known for his ability to solve difficult problems with communication rather than force.” Trail Rider Magazine

About the Author

Mark Rashid (pronounced RASH-id) is an internationally acclaimed horse trainer known for his ability to understand the horse’s point of view and solve difficult problems with communication rather than force. He began working with horses at age ten, when he met the “old man,” who taught him to work with horses, not against them, and to listen to what the horse is trying to say. Mark’s clinics center on one-on-one work with horse and rider and are immensely popular with people around the world.When Mark decided to study the martial art of aikido as a way to improve his horsemanship, he brought the same quiet determination to it that he exhibits in his work with horses. After years of practice, he has earned a second degree black belt in Yoshinkan aikido and now teaches the “way of harmony” in the local dojo.Mark worked full time on ranches for many years gathering herds, managing stock, and training horses. When time permits, he still enjoys working on ranches near his home in Estes Park, Colorado.Mark has been a guest on NPR’s The Horse Show and was featured on the Nature series on PBS. He is the author of nine books - Considering the Horse, A Good Horse is Never a Bad Color; Horses Never Lie; Life Lessons from a Ranch Horse; Horsemanship Through Life; Big Horses, Good Dogs, & Straight Fences; A Life With Horses; Whole Heart, Whole Horse; and his latest, a novel, Out of the Wild. He also has a solo music CD Song of the Prairie and enjoys singing and playing guitar with a local band The Elktones.Skip Ewing lives in Nashville, TN.

Product details

Paperback: 184 pages

Publisher: Trafalgar Square Books (February 2, 2016)

Language: English

ISBN-10: 1570767580

ISBN-13: 978-1570767586

Product Dimensions:

6.8 x 0.5 x 7.5 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

93 customer reviews

Amazon Best Sellers Rank:

#107,888 in Books (See Top 100 in Books)

I am such a fan of Mark Rashid and his approach to working with horses! LOVE his books; they are what started me on a path to a kinder, softer way with horses. I had the privelege of participating in one of his clinics a few years ago, as well. This book was an excellent read, and put many things into perspective for me. I "discovered" it at just the right time, too, when I was struggling with many of the concepts he discusses. If you are serious about finding a better way to "be" with horses, both on the ground and in the saddle, then you will definitely enjoy and benefit from this book. Highly recommend all of his other books, as well!

I usually love Mark Rashid books but not this one. SO much of this book is filled with martial arts stories and contributions by his clinic participants that I became bored and impatient to get through it. After skipping past the above referenced annoyances, there wasn't much left to read about a feel and connection to horses. I wrongly assumed the book would be about Rashid and his journey to softness, told through personal accounts with horses. What it turned out to be mostly about is other people's journeys and his accounts of softening through martial arts. Some of theses accounts, overbearing long.

This is a GREAT book! Softness with your training comes first from the inside of the rider. Easy to say, hard to do.... He address how our unresolved tensions in our daily lives and bodies is directly transmitted to our horses in training them. If you are wound up - get it under control or stay away from training. Oh, how I hang my head in shame for my past transgressions of dumping my lifes' B.S. into my horses and not understanding that their problems were the result of my issues. Over time I have learned to calm and re-gather with a peppermint, slowly sucked, while sitting quietly on my poor victim in training. Thank you, Bobby Avella. (Sp.?) A comment he made at one of his clinics years ago. Have gone through bags of mints over the years. This is not quite what Mark is saying, but a start. He talks of softness in your whole day to day life, being present with true internal calm. Horses do know the difference and react accordingly. Building trust while your mind and body are in a grind just won't happen. This is well written, easy to read and more than worth reading from continually with the hopes that you will GET IT and, eventually, you will communicate more softly with life and your horses. Keep it close...it is a life lesson.

I love the idea of "softness" as a way to relate to animals and people. The writer does an excellent job of describing what it feels like to work with a horse to achieve desired goals instead of working against the animal. The feel of "softness" communicates both ways and creates cooperation and trust.

I have been working with horses for years but felt I had missed something and was feeling uneasy about every other trainer that I have read or seen because of the GAP in methodology. This bothered me more than a little because I feel horsemanship in my bones; in my soul and I couldnâ€™t identify the issue of what was missing.Mark Rashid has verbalized much of what Iâ€™ve been feeling. Thank you for taking the time to lay what I believe to be the cornerstone upon which all training should built.Thank you, from the horses as well.

This is a beautifully written and moving view into the world of communication. Not just for those who ride, or work with horses, but for anyone interested in how powerful and effective our thoughts and actions can be. I'm only half way through, and find that I want to savour every word and anecdote within the pages.Mark Rashid has a wonderful gift with words. I can almost hear his voice while he's recounting his experiences of life and lessons. Highly recommended!

I like this book. It really helped me to see inside myself where softness comes from. By understanding my actions and reactions to outside stimulus, I am able to now stay calm in all situations so I can be a good leader my horse needs. Between you and your horse, one of you has to be the confident leader. Who will that be in your relationship? Mark is an excellent writer too. So as well as learning a new life skill, you will also enjoy a good read!

Softness and being quiet around your horse and everywhere else in your life a goal that this book will help you understand (if you don't) and will help you achieve if you are aware. I've followed Rashid in his books and there is some interesting growth in his approach to "feel" and "softness" in this book. As always, Mark will keep you asking for more books. This might be his first book with color photos! I have another new book of Mark which continues this work on softness and great color photography: Finding the Missed Path: The Art of Restarting Horses also on Amazon

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Free Ebook Rivers and Birds, by Merrill Gilfillan

Juni 10, 2016 Ebooks No comments

Free Ebook Rivers and Birds, by Merrill Gilfillan

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Rivers and Birds, by Merrill Gilfillan

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Product details

Paperback: 138 pages

Publisher: 3D Press; First Edition edition (August 1, 2003)

Language: English

ISBN-10: 155566296X

ISBN-13: 978-1555662967

Product Dimensions:

5.5 x 0.2 x 7.5 inches

Shipping Weight: 6.6 ounces

Average Customer Review:

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Amazon Best Sellers Rank:

#2,403,085 in Books (See Top 100 in Books)

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Download Ebook Exploring Raspberry Pi: Interfacing to the Real World with Embedded Linux

Juni 04, 2016 Ebooks No comments

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Exploring Raspberry Pi: Interfacing to the Real World with Embedded Linux

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From the Back Cover

"Exploring Raspberry Pi is THE book to go to if you are interested in learning about the impressive physical computing capabilities of the Raspberry Pi platform. Derek Molloy imparts the electronics, programming, and embedded Linux skills that are vital to today's innovators in building the next generation of Internet of Things applications.". — Eben Upton, Co-creator of the Raspberry Pi BUILD THE SKILLS YOU NEED TO INNOVATE Economical and versatile, the Raspberry Pi can be adapted for thousands of applications. Open up all its possibilities by applying engineering principles along with Linux programming techniques, and develop the skills you need to design and build an endless array of projects. Exploring Raspberry Pi first covers the basics of the hardware platform, recommended accessories, software, embedded Linux systems, and Linux programming techniques. Then it takes you deeper into interfacing, controlling, and communicating, with detailed information about Raspberry Pi GPIOs, buses, UART devices, and USB peripherals. You will learn to configure a cross-compilation environment in order to build large-scale software applications, as well as how to combine hardware and software to enable the Raspberry Pi to interact effectively with its physical environment. Finally, you'll discover how to use the Raspberry Pi for advanced interfacing and interaction applications such as the Internet of Things (IoT); wireless communication and control; rich user interfaces; images, video, and audio; and Linux kernel programming. Instead of recipes for a few specific projects, Exploring Raspberry Pi arms you with the skills needed to build the projects that exist in your imagination. You'll learn to: Develop essential Linux and programming skills Build Internet of Things (IoT) applications Master interfacing, controlling, and communication Design applications that interact with the physical environment Utilize the Arduino platform as a service processor Build wireless communication applications Write and install a custom Linux loadable kernel module Apply the Raspberry Pi 3 and Raspberry Pi Zero to your projects Visit the companion website at www.exploringrpi.com

About the Author

DR. DEREK MOLLOY is a senior lecturer at the School of Electronic Engineering, Faculty of Engineering and Computing, Dublin City University, Ireland. He is also the author of the hugely popular book on the BeagleBone platform titled Exploring BeagleBone, also published by Wiley. His popular YouTube video series has introduced millions of people to embedded Linux and digital electronics topics. He has received several awards for teaching and learning, including the 2012 Irish Learning Technology Association (ILTA) national award for Innovation in Teaching and Learning. The same year, he was also awarded the Dublin City University President's Award for Excellence in Teaching and Learning.

Product details

Paperback: 720 pages

Publisher: Wiley; 1 edition (June 13, 2016)

Language: English

ISBN-10: 1119188687

ISBN-13: 978-1119188681

Product Dimensions:

7.2 x 1.5 x 9.1 inches

Shipping Weight: 2.7 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

120 customer reviews

Amazon Best Sellers Rank:

#21,225 in Books (See Top 100 in Books)

if you only buy one book to learn about and use your Raspberry Pi - this is it!get this bookthere is a reason that Molloy's books are so highly regarded:- breadth of coverage- plethora of examples- detailed descriptions- excellent diagrams and tables of information- and best of all:this book is written in plain English, not 'engineer-speak,' and not juvenile cheerleading. the tone is just right, and this book will help teach you about this family of small Linux computers and how to interface them with the real worldWiley is to be commended for this series of Molloy's books, but the real credit goes to the author (OK, i know, tech editors and editorial graphics departments also help)this nearly 700-page book is *the* handbook for the Raspberry Pi, and Molloy has set the bar so high that i seriously doubt any other author will be able to top this masterpiece... as a long-time Linux user (and author of more than 20 books about Linux and free software), i'm in awe of the quality of writing and information... if it sounds like i'm gushing, it's because i am very excited to find this book - it will provide many hours of reading, learning, and experimenting...so thank you, Derek, this one is a winner!

This review is about the Kindle edition not the paper one. I agree the the traditional paper book deserves the 5 star rating. I purchased the book first and I liked it so much that I bought the Kindle edition to highlight, make notes in, and to keep as a handy screen based reference for my Pi based electronics projects.The Kindle edition's a disappointment. Here's why.1. The book has a great table of contents with a 3 level outline; chapters, sub headings under each chapter and sub topics under each sub heading. The Kindle edition only has a 2 level outline, no sub topics, making it extremely cumbersome, if not useless, as a navigation tool.2. The Kindle edition left out the index. Really, no index, and no, the global word search is not the same as a good index created and edited by a professional indexer.So minimal table of contents and no index makes the Kindle edition pretty useless as a convenient reference. If you don't believe me, try to find the topic section on Transistors using the Kindle edition. I'm sure you can eventually, but it's a PITA.By the way, I think it's sad that my one star review brings down the rating of the paper edition. Amazon, I should be able to review the Kindle edition separately from the paper edition. Especially if they are substantially different.

I'm a long time Linux user at work and home. I've been playing with the Raspberry Pi for a few years now as a basic Linux computer, but I always felt that interfacing it to other devices would make this a much more powerful little platform. This books covers all that's necessary to do that, but beware - it's not for those who don't want to dive deep into the technical details. Dr. Molloy teaches computer science at the college level, and there's detail here that represents that background. But it's all extremely well-supported within the book, along with his dedicated book website. All of the code examples he writes can be found there, along with excellent supplemental material.The book starts from basics - Raspberry Pi hardware, basic Linux commands, basic circuits for interfacing, etc. He then gets into the depths of how to interface all of these together. I'm fortunate to have enough background in these areas to weave through this, but those with less of a computer or electronics background might want to have a local geek or two handy to call in for help when needed. He has excellent coding examples in multiple languages, builds from simple to more complex examples, and provides libraries to continue your own programming projects using the knowledge you have gained throughout the book.I'm an Electrical / Computer Engineer by trade, and I've had an interest in introducing hobby electronics to my kids. When I first saw the Raspberry Pi, I thought this might be the ideal platform on which to develop that. This book is the missing piece to that puzzle for me. It's exactly what I was hoping for, with all the details one could want about making this magnificent little board talk to other devices. I picture many blinking lights and beeping speakers in the months to come as a result of this book! I consider this a bargain-priced book for everything that's contained within it. If there's something you want to connect up to a Raspberry Pi, odds are, there's a solution somewhere in this book. I highly recommend it.

This book covers a lot of area but be prepared to work hard if you read it. The examples are available for download on Github. The book is absolutely excellent. Clearly written with a great amount of detail, though the reader must realize there is a limit to how much info can be packed in a single book. Although beginners could read this book, I believe that it would be slow going for them. If you don't have some technical background I would suggest you look for a more basic book. This book covers topics such as RPi boot up sequence, Linux commands, hardware interfacing and useful projects. I'm an EE with programming experience in Windows and I found the Linux section easy to understand, but very slow going, due to the vastness of Linux. I highly recommend this book to anyone interested in putting in the effort required to really learn the RPi and how to interface to other computers.

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Free Download Delphi Power Toolkit: Cutting-Edge Tools & Techniques for Programmers, by Harold Davis

Juni 03, 2016 Ebooks No comments

Free Download Delphi Power Toolkit: Cutting-Edge Tools & Techniques for Programmers, by Harold Davis

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Delphi Power Toolkit: Cutting-Edge Tools & Techniques for Programmers, by Harold Davis

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Product details

Series: Power Toolkit

Paperback: 750 pages

Publisher: Ventana Pr (October 1, 1995)

Language: English

ISBN-10: 1566042925

ISBN-13: 978-1566042925

Product Dimensions:

7.2 x 1.8 x 9 inches

Shipping Weight: 3.4 pounds (View shipping rates and policies)

Average Customer Review:

3.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#9,705,138 in Books (See Top 100 in Books)

This is OK (not outstanding! like Calvert's `Delphi programming unleashed' or Rubenking's `Delphi Programming Problem Solver') book as it was in 1995. Now it is significantly outdated, because describes the experience of VB3 programmer in transition to Delphi v.1 which run in Windows 3 environment. Companion CD-ROM with full source code is absolutely essential to run code snippets from the book. Ask sellers to explicitly indicate the presence (or absence) of companion CD-ROM in their items, otherwise it will be complete waste of many.

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Download Ebook The Personality Brokers: The Strange History of Myers-Briggs and the Birth of Personality Testing

Mei 25, 2016 Ebooks No comments

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Audible Audiobook

Listening Length: 11 hours and 30 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Random House Audio

Audible.com Release Date: September 11, 2018

Language: English, English

ASIN: B07G2K75VR

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Engaging. Informative. Speculative. Illuminating. Irritating. Thoughtful. Mistaken. These terms describe Merve Emreâ€™s new book, The Personality Brokers (in the US) and Whatâ€™s Your Type? (in Australia and Europe), published by Doubleday. Emre brilliantly used sources in multiple places to support her historical rendering of the family environment and passions of the mother-daughter duo who are responsible for the Myers-Briggs Type IndicatorÂ® assessment. She managed to expose a host of attitudes, reflective of the time, and of the unique character of the individuals involved.Emreâ€™s real goal, however, is to use the popularity of the MBTIÂ® tool to expose issues in the use of psychological tools in organizations. She is right to point out that using personality based tools for selection and promotion is problematic and typically doesnâ€™t end well for the individual or the organization. Noting that individuals are being improperly evaluated from a self-report tool is precisely why the professional associations around the world have such high standards regarding the use of assessments. What all social scientists know is that any assessment has measurement error and to make hard and fast conclusions on a single data point isnâ€™t good science or a good use of science-based tools.Certainly, the MBTIÂ® tool, if not the most used, among the most used â€œpersonalityâ€ related tools in the world is a prime target for attack on two levels. Most importantly, the use of this tool (and others) tends to be far beyond the bounds of what the toolâ€™s purpose is, how the tool was constructed, and how the tool should be deployed. A second issue is on the nature of the tool itself and whether it stands to scrutiny.No matter how many times people are told that personality tools should not be used for hiring and promotion decisions as a single data point, companies still do it. Their HR departments want a quick fix and as with most quick fixes, it is a very poor band-aid to a very complex problem. Regrettably, training and educating others on the proper use of tools is never a one and done proposition. Publishers need to be relentless in providing guidance regarding the use of the tools they publish.Emreâ€™s main purpose to call out the abuse of individuals through the use of psychological tools is a five-star theme. The evidence she pulls together to show the passion and obsession of the Briggs and Myers development of the assessment is also compelling. Emre has done a service to anyone interested in both the context and the detail related to the development of a tool, and in this case, the MBTI. While much of this history I knew, Emre filled in some blank spots which are consistent with the family lore that has been shared.I agree with Emreâ€™s supposition that â€œthe labeling of live human beings emerged as one technique for annihilating individualityâ€ (p. XVI). There isnâ€™t much doubt that many people experience their results as described. In fact, Jung wrote in many of his letters that type was not to be used for this purpose; rather, the theory of type was to alert individuals to a way to start a journey of understanding personal paths to individual uniqueness. This distortion Emre noted isnâ€™t the fault of the tool; rather, it is the problem of the user who either doesnâ€™t understand the tool or have a clear understanding of the underlying theory. As I wrote in Iâ€™m Not Crazy, Iâ€™m Just Not You, individuals should never trade self-knowledge for personal power and personal uniquenessâ€¦..as the poet said, we should avoid â€œknowledge gained with a loss of power.â€ I think there is abundant anecdotal evidence that the MBTI has been used incorrectly and used far beyond its purposes and the parameters of its statistical limits. But this claim can be made of almost any self-report tool that corporations use for selection. This issue is very important and very complex.As a side note, I suggest any form of labelingâ€”race, gender, any orientation labelâ€”has the potential to limit self-understanding and personal growth. The claims that Emre makes apply to almost every system in the social sciences. Unlike these other systems, psychological type assumes that gaining clarity about your natural tendencies is just a starting point. The goal is to understand the whole system and your use of it. There is no doubt that lots of experts have Procrustean beds which they like to put people in; psychological type, the basis of the MBTI tool, proposes it is an expansive and complex system we can access and use to enrich life choices and individual growth.Emreâ€™s discussion of the state of training on the MBTIÂ® tool is appalling. I checked in with a few people who recently were trained in the tool and their account was not too far off Emreâ€™s descriptions of how the material was presented and the spirit that permeated certification. For those of us who know psychological type, have trained and been trained regarding the MBTIÂ® decades ago, we can only lament that the rigor and principles of care that once guided such training has apparently been lost. For example, strictly speaking, the MBTIÂ® assessment is not a personality assessment. It was designed to get at a framework Carl Jung proposed that affects our mindsets. Rather than personality, Jung was interested in how we use our mental processes for seeing and acting on things. He never thought of these as â€œfixedâ€ traits and was interested in showing how processes affect attitudes and choices. This was never thought of as â€œfixedâ€ and invariant; it is a fluid system that has a home base. Emreâ€™s own historical account of Myers initial reports shows that she understood Jungâ€™s model and that it was full of sources of variation. But this is apparently no longer part of the training conversation. In addition, training used to have a rigorous approach to reviewing the statistical methods for estimating reliability and validity of assessment tools, especially as applied to the MBTIÂ® assessment, which is also lost.Emreâ€™s commitment to fair-mindedness does not extend to looking at all of the evidence about the science related to the MBTIÂ® tool, and by extension, all other tools measuring for psychological type. For example, rather than reporting that there are science-minded critics on all sides of the fence about the reliability and validity of the MBTI (and other tools), she declares â€œit is a well-known fact that the type indicator is not scientifically validâ€ (p.xv) This would come as a major surprise to the hundreds of graduate committees who approved the tool for use in dissertations or the multiple studies done to show how type preferences are demonstrated.And Emre falls prey to the same limited criticism that so many do by relying on the 1985 manual of the MBTI rather than looking at the newest edition of the manual which describes an entirely new statistical method for re-creating the tool. In short, you would be hard pressed to find social scientists declaring that an item response analysis based on a random sampling of the US population is useless and discredited. Item response analysis is very complex and technical; suffice it to say that many consider it among the most powerful methods available for measurement of human behavior. Through the seemingly endless articles criticizing the MBTIÂ® I have yet to see a critic take up the analysis that is the basis of the newest version of the tool, the research for which was completed 20 years ago.All psychological tools have problems and issues, which is why methods for looking at the reliability and validity of a tool result in â€œestimationsâ€ rather than definitive declarations of what is or isnâ€™t worthwhile. The evidence speaks for itself. And truthfully, we should expect more evidence and demand higher research standards for assessment tools in general.Psychological type is a model attempting to get individuals to think about how their minds work. What are our tendencies for managing our energy? Our tendencies for an approach to information? Strategies for making decisions? Typical approaches to daily life? These are worthwhile questions if we want to learn more about managing stress and renewal, understanding differences in approaches, and being open to multiple paths to get to right answers. That this nuanced, rich framework has been lost in the training and lost in the application of psychological type assessments is lamentable.On the whole, Emreâ€™s book (whatever title is being applied) reveals problems and issues with the use of assessments and the pernicious effects of tools used inappropriately. She exposes that there is a good deal of money in the assessment world and it has vested interests. All those issues are important and call upon serious-minded social scientists and users of tools to be mindful. Erme deftly identifies threads of fascism and sexism that run through the historical context. Unfortunately, she conflates application with intention, popularity with greed, and bias with evidence. For example, she confuses how the MBTI is used with what Myers and Briggs intended, or even current guidance in the Manual about the use of the tool.The supposition that Katharine Briggs and Isabel Myers were the â€œfirst to perceive how hungry the masses were for simple, self-affirming answers to the problem of self-knowledgeâ€ (p.XVII)â€ implies an intention which is revisionist history. Looking back on how things emerged in the history of the use of the tool, it seems true to me that many individuals were captivated by the patterns suggested by the MBTIÂ® results. To suggest that Briggs and Myers planned to make the MBTI an engine of wealth betrays every letter or reported conversation they had about their interest in type. They believed that type could help solve a lot of personal problems and they believed that type provided a constructive way to understand human differences. These intentions are a far cry from attempting to leverage the MBTIÂ® as a source of wealth.Here are a few of her declarations which mar the impact of the work. Erme shows a picture of Katharine (mother) and Isabel (daughter at 5 years old) and declares â€œKatharine and Isabel look straight into the camera: Katharine with pride; Isabel with docility and incomprehensionâ€ (p.11) I covered the description and shared the picture with 10 women and 10 men in ages from 18-74. When I asked what they saw in the image, people used terms like focused, intention, warm, affectionate, pleasant, and a host of other terms. Not one person said that they saw pride and incomprehension, and certainly, that was not my reaction. There are a hundred different ways to describe that image but to impose â€œincomprehensionâ€ on someoneâ€™s look is quite remarkable and suggests a bias about the person as an adult, which is later confirmed in the narrative.Reliance on a single critic (e.g. Stricker, p. 216ff) of any topic indicates a lack of thoroughness. At the same time that Stricker was launching his opinion of an early version of the MBTI, ETS statistician David Saunders had completed an additional analysis which countered Strickerâ€™s views. Yet, Saunders isnâ€™t noted nor his youthful (like Stricker) and later wise (in his 60s) analysis of additional data provided by Organizational Renewal Associates which was the basis for what has become Step II. None of these are â€œhiddenâ€ facts or characters in the story but notably absent here. This history would argue against the narrative of an awful tool, born of greed, and useless to society.Emre writes, â€œBeyond all the pseudoscientific talk of â€˜indicatorsâ€™ and â€˜instrumentsâ€™ was a simple but subtle truth: the questionnaire reflected whatever version of yourself you wanted it to reflect, whether consciously or unconsciouslyâ€ (p. 263). If you remove the word â€œpseudoscientificâ€ you have a direct statement that is true of all self-report assessments of any ilk. Anytime a person is answering questions about how they believe they are, you are getting a picture of their own self-image as they believe it to be. In the hands of a skilled coach or therapist, that image can be useful and a source of productive exploration. The use of the word â€œpseudoscientificâ€ is intended to suggest something of no value and represents a judgement not based on evidence. When we say something is scientific or pseudoscience, we owe it to the reader and subject matter to explain what we mean. Were the rules of analysis violated? Were there no efforts to show substance? Was any effort made to collect data and provide propositions? The reader has a right to know that there were plenty of studies done using the MBTIÂ® tool, some of which are clarifying and others confounding about the tool and the underlying modelâ€”-which is a truthful statement about the evidence.The ending of the book is interesting in quoting Mary McCauley, the late president of CAPT and the primary aid to Myers and the MBTI for 30 years. Mary is quoted as saying the goal is one of becoming â€œa more perfect typeâ€ echoing the words of Jung. This is rather astonishing given that I knew Mary McCauley from 1980 to her death. We had endless conversations on the potential elements of type development and what they meant. I heard her speak of data and patterns related to type development and effective use of oneâ€™s type lens. Not one time did I ever hear her utter the idea of a â€œperfect typeâ€ and I do not recall a single line in all of Jungâ€™s work that suggests anything like that (p.269). Jungâ€™s notion of individuation is about embracing and growing your unique personhood and saying â€œyesâ€ to what you can become. He wrote,â€œEverything good is costly, and the development of personality is one of the most costly of all things. It is a matter of saying yea to oneself, of taking oneself as the most serious of tasks, of being conscious of everything one does, and keeping it constantly before oneâ€™s eyes in all it dubious aspectsâ€”truly a task that taxes us to the utmost.â€ (Jung, The Collected Works of C.G. Jung, Vol. 13, para. 24)This is a far cry from declaring people should â€˜perfectâ€™ their type or even their personality. Myers wrote that type development is being clear about your patterns and knowing when to stretch to use other mental resources. These are calls to be uniquely human.To be fair, you should know that the primary source of my comments in this essay comes from many years of involvement with psychological type. I was involved early in the development of the Association for Psychological Type and was among the initial professionals who were part of the development of qualifying training for users of the MBTIÂ® from 1981 to 2008. I served on the MBTI Research Board and participated in the research of the newest version of the MBTIÂ® tool, along with a panel of additional Ph.D. psychologists and psychometric specialists. I completed research on the MBTI using the data at the Center for Creative Leadership in which I analyzed the MBTI types and 75 independent variables, most of which verified predicted type patterns. I have developed my own tool for measurement of psychological type (Pearman Personality Integrator) so I know the limitations and challenges of creating a valid and reliable tool. Further, I knew a number of the individuals profiled in the book, The Personality Brokers. I have been an eyewitness to the growth and development of personality tools, including the MBTIÂ®, and have researched and written about these tools.

I have only started this book but have to report that the author and I have had very different experiences with the MBTI certification process and dealing with the MBTI experts at University of Florida. I cannot imagine the certification being referred to as "re-edeucation" as the author claims. Further, while preferences are natural, the MBTI community emphasizes that we all use all of the preferences all of the time. Further, "type dynamics" explains how we focus on different preferences as we mature. The emphasis is on "dynamic" not "fixed" and never evolving. It is important to emphasize that responsible use of the MBTI includes a verification process and does not rely on indicator results exclusively. Finally, I find the assertion that the MBTI lacks "scientific validity" to be hog wash. Volumes of reliability and validity studies are provided in a technical manual. But, I understand that couching the MBTI with mystery and "corporate villainy" will sell more books. To me that is disingenuous at best.

The only reason I'm giving this book two stars instead of one is the fact that the book does contain some interesting tidbits and examples of the history of the MBTI. Otherwise, it is a classic example of "paradigm paralysis" from the first words. The author's biases are clear from the beginning and by the end, it's even clearer -- the author even admits her behavior is part of her "B#%##" personality which interestingly corresponds to a possible aspect of her type.While the author lists extensive references at the end, the book is filled with comments and "interpretations" of many communications that leave me wondering "where's the evidence of this?" So many examples, including the author's interpretation of the thinking portrayed by a photograph -- a photograph where the expressions could be interpreted in many different ways.The book wanders back and forth with a confusing timeline that had me frequently trying to figure out the when of a particular part of the story.While statistical validity -- which others claim the book ignores in today's version of the MBTI -- has its place, the author fails to recognize "face validity." Participants of the MBTI today see the instrument as reflecting choices they make -- and they validate the results by the importance of "verifying" the results. The author's arrogance in sarcastically calling the MBTI a "test" during her prejudiced attendance at a certification session was just one of many statements that tarnished the book.

The author has supplied a fairly complex story about the development and evolution of the personality type approaches, especially Myers-Briggs. Her overall assessment seems to be negative: That the modern Myers-Briggs theory and methods oversimplify human personality, have become very superficial, and are neither very meaningful or well-supported scientifically. Nevertheless, for a variety of reasons, they have remained, and have grown in popularity. She connects the personality inventories to the rise to dominance of capitalism, to fascism, to the cultural changes the U.S. has gone through, and to other important features, such as the fact that the Myers-Briggs inventory was the theoretical and practical brainchild of two brilliant women, products of their times, but also fairly unconventional and challenging. Prof. Emre has written a complex interesting story putting the Myers-Briggs personality inventory in an important historical context. Her somewhat negative viewpoint does not detract from the book (at least in my view). I think her book is worthwhile for anyone who is interested in the Myers-Briggs typology.

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Free Download , by Michael Connelly

Mei 21, 2016 Ebooks No comments

Free Download , by Michael Connelly

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, by Michael Connelly

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File Size: 2575 KB

Print Length: 456 pages

Page Numbers Source ISBN: 0446611646

Publisher: Little, Brown and Company; 1 edition (May 3, 2004)

Publication Date: May 3, 2004

Sold by: Hachette Book Group

Language: English

ASIN: B000FC1MNW

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When the widow of a friend (Terry McCaleb) calls Bosch to investigate her late husband's mysterious death, he is there.Robert Backus: former FBI Behavioral Science, former mentor, former Poet. Is he back? All signs point in that direction, and Agent Rachel Walling is called out of exile in the badlands of North Dakota...but she is not given any power to actually investigate what appears to be his work.Meanwhile, during the investigation of the death of McCaleb, Harry comes across cryptic noted and pictures of McCaleb's family without their knowledge. Was McCaleb being targeted? By who? Why? One of the pictures is taken in Nevada of a road sign, ZZyzx. Bosch decides to go and see what it leads to.Walling and Bosch, both pretty much outsiders, he is former LAPD, retired, and she is not in good standing, They are paired because Agent Walling is already there and he has information. Are the two cases a combination of the work of one madman, or was this all a coincidence. Bosch doesn't believe in coincidences. There are hints as to whom is doing the killing, but why, and how were they lured to their excruciating deaths.Then, Harry's ex wife is keeping a secret. He knows she is and this is one of those mysteries he must solve. However, when he discovers what this life changing secret is, he could never have imagined what it turned out to be.The book was interesting how the crimes were solved, they were led to certain places that apparently they were led to intentionally. They were being played.

Harry Bosch has retired from the LAPD and is trying to drum up business for his new career as a private investigator. He lands a case, probably the last one he wants, to investigate the death of good friend Terry McCaleb who was an FBI agent before his own retirement. In the course of his investigation Harry stumbles on a huge excavation taking place off Zzyzx Road, a nowhere junction along I-15 between LA and Las Vegas. (Iâ€™ve seen it several times and it always provoked a laugh.) Turns out the excavators are FBI folks and they are finding a number of bodies whose deaths point to a nemesis called The Poet. One of the FBI agents at the â€œbig digâ€ is Rachel Walling, an old friend of Bosch whoâ€™s been brought down from her office in South Dakota to help. Sheâ€™s been warned about taking too aggressive a role in this investigation but she does have a good reason to participate fully; The Poet is a psycho named Backus who was Rachelâ€™s FBI mentor many years before. Bosch is not welcomed by the FBI; they donâ€™t want any help from a retired LA police officer, thank-you-very-much. But Bosch doesnâ€™t care about that because he has his own case to worry about. And since heâ€™s in the Las Vegas vicinity, itâ€™s a great opportunity to get over to â€œSin Cityâ€ and see his daughter, Maddie, who lives there with her mother, Eleanor. Backus is also the master of many disguises and is watching everyone closely. As you might suspect, â€œoutsidersâ€ Bosch and Walling get together (in several ways) to hunt and find Backus in a tension-filled ending.

The Harry Bosch series is the best crime series I've ever read and, for my money, this is one of the very best in the series (it's close between this one, Echo Park, and The Concrete Blonde). Read Connelly's earlier novel, The Poet, before reading this. Although Bosch isn't in The Poet, there are important connections between that book and this one, and you'll enjoy this all the more with that background. And The Poet is a great book in its own right. If you've enjoyed Michael Connelly before you'll like this one, too. If you've never read him, get started and welcome to the party.

This is a very good writer and a very smart one. I have read many of his books, all these people that move around and in LA. Bosch, Mike Haller, the journalist , Kiz, Rachel Walling , etc , they all form a group of interesting people, different characters, all working crimes, intricate intrigues, quite atmospheric, .....simply good entertaining writing.

Connelly and Harry Bosch are always a good read and The Narrows is certainly no exception. Having been a cop for 33 years in an LA County city so much of what Connelly writes is so right on target regarding police work, victims and the criminal justice system. Connelly gets it about the FBI's and their bureaucratic, highminded ways that get in the way of good street level investigative police work. While The Narrows is a little weak in capturing my complete attention, I could put this one down, it is a wonderful read.

The crossover books that cover multiple main characters frequently tend to have to much ground to cover on all sides to satisfy the readers of each series. This generally means that the main story itself must be simpler, as was the case with this one whee the villain was revealed very early on. Also, the attempted twist at the end was not really very well conceived, as it essentially meant that it truly was a major coincidence that Bosch became heavily involved in the case at all. While potentially heavily ironic for those familiar with that character, it was also quite unbelievable. However, even with those shortcomings, this was still a very good read. The pacing was generally good and the use of multiple settings to develop the story also worked well.

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Download Ebook How The Sphinx Got To The Museum (How the . . . Got to the Museum), by Jessie Hartland

Mei 10, 2016 Ebooks No comments

Download Ebook How The Sphinx Got To The Museum (How the . . . Got to the Museum), by Jessie Hartland

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From School Library Journal

Starred Review. Grade 1–4—Lively artwork and rhythmic text highlight this unique picture book that tells the story of how one particular piece of Egyptian sculpture ended up in the Metropolitan Museum of Art in New York City. Hartland begins with a brief description of Hatshepsut and her significance as a female pharaoh in ancient Egypt, as well as explaining how most pharaohs had many pieces of statuary created in their honor. The story continues to build as Hatshepsut orders the creation of the sphinx, the sculptor secures the granite, the priests admire it, the stepson destroys it, and then the real fun begins after an archaeologist discovers it 3000 years later in a pit and begins the process of acquisition for the museum. The cadenced writing is simultaneously predictable and unexpected, making it a joy to read aloud, inviting listeners to join in. It also includes vocabulary such as curator, rigger, and registrar, providing the opportunity to delve into discussions of unusual career choices, as well as fun verb choices that will intrigue children. The accompanying illustrations are animated and detailed, from an archaeologist's tools to a curator's cluttered office—plenty for young eyes to discover and share. Brilliantly simple and effective, this is an excellent addition to any elementary collection.—Jody Kopple, Shady Hill School, Cambridge, MA (c) Copyright 2011. Â Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist

*Starred Review* At some point every visitor to a museum wonders the same thing: How did that get here? With exhaustive, dizzying, yet crystal clear detail, Hartland answers that question in regard to a seven-ton sphinx from ancient Egypt. The opening illustration introduces a museum docent and a gaggle of curious students, but then we backtrack to the reign of Pharaoh Hatshepsut, who requests from a sculptor six granite sphinxes. Priests observe the finished works; years later, Pharaoh Thutmose III destroys them; 3,000 years later, an archaeologist discovers the ruins. This is just the beginningâ€”before itâ€™s over weâ€™ll meet art movers, curators, conservators, riggers, registrars, retouchers, and more, and the increasing lineup is featured on each right-hand page in â€œhouse-that-Jack-builtâ€ stair-steps: â€œThe SPHINX that was documented by the PHOTOGRAPHER, painted and restored by the ARTIST, officially numbered by the REGISTRAR,â€ and so on. Eye-openers abound (the movers, for example, avoid â€œbumpy roads and tight turnsâ€); while Hartlandâ€™s cheery, childlike paintings effortlessly shift from desert to city to museum. Closing historical notes are also great. The overall elicited emotion is aweâ€”both for the passage of time and for the steps required to bring a simple hunk of stone to the fifteenth person: you. Grades 2-4. --Daniel Kraus

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Product details

Age Range: 6 - 9 years

Lexile Measure: AD1460L (What's this?)

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Series: How the . . . Got to the Museum

Hardcover: 40 pages

Publisher: Blue Apple Books (September 1, 2010)

Language: English

ISBN-10: 1609050320

ISBN-13: 978-1609050320

Product Dimensions:

9.2 x 0.5 x 11.2 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#833,632 in Books (See Top 100 in Books)

Shipped quickly. Grandson Loved it.

I bought this book for my six year old who has been obsessed with everything Egyptian lately. It is a cute look into where pieces of history come from and how they end up in the museum. It focuses on one mummy, a woman pharaoh named Hatshepsut and her journey from being pharaoh to ending up in the Metropolitan Museum of Modern Art.

One of the most frequent requests I get from parents in my library is a desire for books on "community workers". Which is to say, their children have been given an assignment in school on writing about the people who work in their neighborhood, and so we are charged with coming up with books about sanitation workers, doctors, bus drivers, etc. This being New York City, I always kind of wish that I'd get a request for a community worker a little out of the ordinary. How about a request for a book on a conservator? Or a museum registrar? Why do docents always end up with the short end of the stick? Of course, even if I did get a request for one of these, I'd actually have to produce a book that says what such museum folks actually do. Still, that's no problem since the publication of "How the Sphinx Got to the Museum". Basically author/illustrator Jessie Hartland came up with a radical notion. Why not combine a book that explains the jobs people do with a real life mystery (how a busted sphinx was returned to its full splendor for display in the Metropolitan Museum of Art) and then present it in a cumulative tale format? Why that's so crazy it just might work. And work it does in a story that satisfies a child's need for story while also working in some pretty cool details about why museums are full of statues from other countries far far away.A group of kids visit The Metropolitan Museum of Art and are told a strange fact. Before their eyes sits a sphinx created for the Pharaoh Hatshepsut. The kicker? That same statue was destroyed a mere twenty years after its creation on orders from Hatshepsut's successor and stepson. So how on earth has it come to reside fully intact in a museum in America? To answer that you have to begin at the beginning. And so the docent recounts the many steps and people who contributed to the sphinx's story. Hatshepsut commissioned, the sculptors sculpted, the priests admired it, and the stepson had it destroyed. From there the story takes a turn, rediscovered centuries later in a pit by an archaeologist, brought to America, and restored. As each piece of the puzzle falls into place we are consistently reminded of the people who came before, until at long last we reach the present day. A section called "More History" at the end clarifies many of the details and gives kids additional information on the real statue and its current location.The real trick here, as it is with any cumulative tale, is to know how to tell a story with a lot of repetition without making it boring. I should clarify what a cumulative tale is by this point, yes? Basically what I'm talking about is a book that tells a story the same way you would in a classic like "This is the House that Jack Built". It's where you introduce an element and then build on it, always returning for a kind of chorus. The books that are successful at this (like "The Apple Pie That Papa Baked") know how to keep a reader interested, even as the same information is conjured up time and time again. In the case of "How the Sphinx Got to the Museum", Hartland has the advantage of telling a true story. As a result, the more you repeat what happened to the sphinx (it was . . . "secured by the Art Movers, supervised by the Department of Antiquities, found in a pit by the Archaeologist") not only are you bringing up the true story of its travels, you're also teaching kids about certain jobs by having them repeat the wordy occupations over and over again. Teachable moments! Woot!The fact that the book is mostly factual places it in a funny position in libraries. Where do you put it? It kind of looks like a picture book, and indeed might be interesting there, but in the end it tends to end up in the Ancient Egypt section of nonfiction. Interesting since there are some details that were stretched a bit to fit the telling. At the end of the book Hartland admits freely that "The part of this book when Hatshepsut orders several statues from the sculptor is somewhat made up." I trust her as an author, but when I read that I kind of want to know how many other details were true. Did the Sphinx really get sent to America on a ship called The Cingalese Prince? I mean, it had to, right? Who would make that kind of thing up? A little Bibliography or section at the end recommending websites or books for further reading would not have been out of place here. I liked the "More History" but found myself wanting more for the interested kids out there.Hartland has a bit of a Maira Kalman style about her. That incredibly flat, near two-dimensional quality of her art. The book offers no hints on her style or what medium she uses, and her website is equally mum on the subject. What's kind of cool is that she has in her short picture book career already created books for Candlewick, Penguin, Chronicle, Bloomsbury, and now Big Apple Books. In the case of this particular book, Hartland has chosen to set many of the images here against relatively uncluttered backgrounds. There's always adequate room for her text, which doesn't sound impressive until you realize how long the cumulative collection of folks involved with the statue really are. After a while, you also begin to notice that each person's designation ("Department of Antiquities", "Egyptian Priests", etc.) is granted its own distinctive font. That's a detail that keeps the book visually stimulating, even if you don't notice it right off the bat.Of course the best news to leave you with is the fact that this is not Hartland's sole journey into this kind of nonfiction cumulative fare. Following up this title will be a similar book about how a dinosaur got to what I believe will be The Smithsonian, as well as a third title about how a painting (to be determined) got from artist to permanent gallery display. Clearly this is a fun concept with a lot of different applications one can work with and the first in the series is a true keeper. If you, like myself, are a bit sick of the endless identical Ancient Egypt children's fare out there and would like to see something original, Hartland has your number. Consider this a great way to bridge the past and the present for your kids.Ages 4-8.

If you've are lucky enough to walk up the stairs and into the Metropolitan Museum of Art in New York City, you may have been able to see one of Hatshepsut's sphinxes. Hatshepsut was a pharaoh who ruled in ancient Egypt. There were many pharaohs and perhaps the most famous or memorable was King Tutankhamen, but Hatshepsut was undoubtedly the most unusual. Hatshepsut was a woman and that just wasn't supposed to happen in Egypt, but it did. There were "many monuments and pieces of art [that] were created in her honor." As with most pharaohs there were many different kinds of memorial objects that were created to be placed in their tombs or in front of their temples.Hatshepsut had artisans carve several stone sphinxes to stand "guard in front of her temple." She supervised her architect, Senenmut, who created her temple. Plans were drawn up to make statues, "including a set of six sphinxes." The granite was mined at an quarry in Aswan and with great difficulty this "HUGE block of granite" made its way down the Nile on a boat. Pharoah Hatshepsut's dream began to take shape and her magnificent temple was soon guarded by the six sphinxes. Later, after she died, her stepson, Thutmose III, had "all of the beautiful artwork, including the sphinxes," destroyed and buried in a pit. Who found these pieces? How were they put back together again and just how did that sphinx get to the Met?This is a fascinating glimpse at an unusual Egyptian pharaoh and how one of her sphinxes made it to the Met. Most people have never heard of Hatshepsut, but she is just starting to become known to the younger set and this is one of the more interesting portraits of her. The story is progressive and by the time we get to the end we know exactly how that sphinx made its way to 1000 Fifth Avenue so all of us can visit with him. For example, once we meet the archaeologist, "he uncovers the pit with the broken pieces of dozens of statues, including the sphinx that was ... dumped there by the stepson, marveled at by the Egyptian priests, chiseled by the sculptor and order by the pharaoh." At the end we are greeting by the docent and work our way back to the pharaoh. The artwork is marvelously quaint and very appealing. In the back of the book are additional facts and figures, more history, and we learn more about where the other sphinxes went.

This book helped me and my children to love the Met even more. The Sphinx is a beautiful statue but it is overshadowed by the huge Temple of Dendur looming over it. Now that we have read this book my kids love finding the little red numbers that identify it, and examine the parts of the statue that are real vs plaster. Did you know they intentionally make the plaster look different from the original so it's easier to tell the two apart? Because the Met has a room dedicated to Hatshepsut statues, this book helped us to value all of those works of art as well (this Sphinx is not in that room). It brings an ancient statue to life, helping us feel it's colorful history and understand it's significance. How often is a masterpiece broken to boxes and boxes of pieces, buried in a pit for thousands of years, discovered, shipped to New York, and put back together again for the world to admire once more? It's uncommon to find a book that covers an object's history as well as it's preservation. It helped us appreciate all the work gone into acquiring the many masterpieces that make the Met the amazing museum that it is. This is a really great book.

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